Description

The partnership of Nikon and RED provides a wide range of compatibility with production workflows, offering REDCODE RAW R3D recording format along with Nikon’s N-RAW, ProRes RAW HQ/422 HQ, and the high-quality compressed H.264 and H.265 codecs. REDCODE RAW (R3D NE) unlocks the same color space (REDWideGamutRGB) and Log curve (Log3G10) as RED cameras.
The camera captures resolutions up to 6K60, 4K120, and even 1080p240 for high frame rate, slow-motion recording.

The ZR captures high-quality audio using dynamic 32-bit float and 24-bit recording, and it supports standard 48 kHz linear PCM for full video compatibility.
It features built-in configurable mics, a line input that provides the ability to record with an external microphone, and the camera’s digital accessory shoe that can utilize mics such as the ME-D10 shotgun or H2315 shoe mic attachment. A headphone jack allows you to monitor the audio.


The built-in 4″ variable-angle touchscreen display features a DCI-P3 color gamut, 1000 cd/m² brightness, and a 3.07 million dot resolution for viewing your controls and footage with ease.
The display can automatically flip when you change from horizontal to vertical mode.

The standard Z lens mount allows you to utilize the entire line of NIKKOR Z lenses and a wide range of third-party lenses and lens mount adapters.
The ZR provides integrated image stabilization with any prime or zoom lens at up to 7.5 stops to provide smooth, steady image capture.

This tiny camera is the size of a small mirrorless camera but packs in cinema camera technology.
Take the camera into the field, mount it onto a vehicle, stabilize it on a gimbal, or perform steadycam, drone, or POV shots – it’s lightweight enough to perform just about anywhere.















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